the different faces of bollywood

During my recent visit to Mumbai, I was once again intrigued about the contradictions of Bollywood. Mumbai's dream factory has been accused of all kinds of crimes, and in fact a recent cover story in Tehelka magazine presents a very intelligent indictment: Nisha Susan argues that Bollywood movies and other branches of commercial popular culture in India (TV, advertising, the fashion industry) have been streamlining the idea of "who is an Indian?" in such a way that actually the vast majority of the population is excluded from it! According to her observations, backed up by many interviews, especially the female icons of Bollywood are almost exclusively presented as fair-skinned, rich North Indian Hindus from cities. Which is bound to make everyone else wonder why they don't look like them. Susan quotes a hockey player from Jharkhand state who plays for India: 

Sarita Lakra says her childhood years were spent wondering how the movies could always be about happy and beautiful people. Sarita says, “They made me feel little and nonexistent. They still make me feel little.”

Even in South India, where the vast majority of people are dark-skinned, film heroines have to be fair - and people with different looks don't get a chance: The culture industry shows its cruel face. 

And yet, there are lots of creative and critical people in Bollywood. For all kinds of reasons, but mainly because they want to make films - and they actually make some very good ones. Let me mention just two new movies which I saw in India over the last week: "Firaaq" and "Gulaal". Both of them have nothing to do with the clichés of the entertainment industry, and each in its own way, the both are extremely thought-provoking. "Firaaq" by Nandita Das is a story set in the aftermath of the anti-Muslim pogroms in Gujarat in 2002. It doesn't have song-and-dance sequences and its narrative is rather straightforward, so it comes across more like a European or American movie. Both topic and treatment are challenging for any audience. "Gulaal" by Anurag Kashyap, on the other hand, is about anger, student politics, separatism and love. It's gripping until the last moment, but also a very difficult movie, heavy with allusions, quotes and metaphors, almost like in a stage drama. Its innovative elements include a political mujra, a jester type character and a modern remix of the 1950s "Pyaasaa" hit "Ye duniya agar mil bhi jaye". Again, there is no way you can leave the cinema without questions.

Here in Germany, we have the advertising slogan: "Bollywood macht glücklich" - "Bollywood makes you happy". Might be. But Bollywood also makes you think. Bollywood also makes you angry. Bollywood also makes you stupid.